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Physics of Music is an open textbook about how musical sound is made, how it travels, and how it is heard. It begins with a vibrating object and ends with a recording of one, and along the way it asks the questions a musician asks and answers them with physics: why a string sounds a pitch at all, why a clarinet and a trumpet playing the same note are unmistakably different, why some pairs of notes sound settled and others restless, why a piano cannot be tuned perfectly, and why the same quartet sounds glorious in one hall and muddy in the next.

No calculus is required. The main argument runs on algebra, trigonometry, and ratios; the derivations that genuinely need calculus are set aside in dropdowns that can be opened or ignored. No musical training is assumed either — the notation the book uses is introduced where it is first needed. See the Preface for the audience, the organization, and how the printed editions differ.

Where the text describes a sound, there is usually a figure showing what is in it and a link to hear it; where a moving picture teaches more than a static one, the web edition has a running simulation. Every sound example is synthesized rather than recorded, so that a comparison can hold everything fixed but the one thing it is about.

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License

© 2026 Martin Veillette. This book is licensed under the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License (CC-BY-NC-SA-4.0).

This book adapts openly licensed content from several sources; see SOURCES.md for the per-chapter attribution ledger.